![]() ![]() #Fontbook ipad plus#In this view you have a scrollable list with related fonts on the left and five sheets with examples that you can drag in from the right.įor every font you get a type sample poster, an interactive three-size type sample player, sorted type sample in display size plus alphabet, sorted type sample in text size, the complete character set and a summary of font info: more than enough to make an informed font choice. Once you have selected a specific typeface you are presented with the actual type specimen. For the largest tiles the app even adds a little overlay that displays the actual numbers of fonts inside (477 in Frutiger’s case) but for some reason these wouldn’t show up in the screenshots the app lets you take. You can see right away that Linotype has more fonts listed than ITC and Adrian Frutiger more than Julia Friese. One smart UI decision was to have the size of the different areas (let’s call them “tiles”) correspondent roughly to the number of results inside these tiles, thereby giving relevance to the search result even before you actually tap on it. From each of these selections you can then drill down deeper until you reach your desired typeface. ![]() The initial menu gives access to FontShops vast catalogue via five large tappable areas: ALPHABETICAL, DESIGNER, CLASSES, FOUNDRY and YEAR. Freed from the constraint of a sequential medium the FontBook now offers several approaches to discovering and finding typefaces. ![]() I’m not picking this thing up when I leave the house to visit a client.įontshop has taken its massive font database with over 620,000 entries and put it on Apple’s tablet with a clean and intuitive UI. My 1998 edition, containing over 25,000 fontspecimens, weighs a hefty 2.5 kg and is about 5,6 cm thick. This not only made it comprehensive, it also meant that the FontBook wasn’t exactly portable. The FontBook exemplified an encyclopedic approach: If a font existed somewhere, it was probably listed in the FontBook. Not only for referencing and searching specific typefaces, but also for self-education by simply skimming through the pages at random, marveling at the breadth of available forms and styles and finding inspiration in this seemingly inexhaustible repository of typographic creativity. The original FontBook – first published two decades ago in 1991 - has been an indispensable tool for designers everywhere. These are my first impressions after a two days of moderate use. #Fontbook ipad code#I was fortunate to be given a review code and so I have been able to kick the tires a little. Tonight at 6:00 pm CET, typographic legend Erik Spiekermann flipped a switch and FontShop released the FontBookApp for Apple's iPad on the App Store. ![]()
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